Orson Welles could not have made a more spectacular cinematic entrance than Citizen Kane, the debut against which all other debuts will forever be judged, but the same cannot be said of his final onscreen role as an associate of Henry Jaglom in Someone To Love. But finales and debuts don’t always play out the way we’d like them to. Artists might make countless movies over the course of their careers, but they can only make one first movie and one last one. Debuts and finales occupy special places in our culture.
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